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The light, life and textures of the modern working class Mumbai are studied and celebrated by the writer/director Payal Cappadia, who won the main prize at this year’s Cannes Film Festival for his debut in the film of fiction. Focusing on two roommates, who also work together in the Municipal Hospital-Prabha (Kusruti Kani) and the recent employment of Anu (Divya Prabha)-Plus their colleague, Cook Parvaty (Chhaya Kadam), Cadadia’s film will ignite at the moment of merger and heart, hope and disappointment. Prabha, her husband from a arranged marriage living in a distant Germany, is abandoned by a doctor in her hospital; Anu runs an affair with a Muslim who must keep secret from his harsh Hindu family; Parvaty is dealing with the sudden eviction of her apartment. Capadia gives the hustle and bustle of the metropolis and peace in the open air above the seaside village with an even glow, articulated by her wonderful actresses and a camera with lyrical naturalism, who from time to time drifts in a similar sleep. Everything we imagine as light is a spiritual study of the transformation power of friendship and sister in all its complexity and wealth.
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